Supercomp 1.5 adds Color Match, an automated tool for matching the black and white points of a layer to those of the layers behind it, plus support for 28 more colour spaces. The release also updates five of VFX Suite’s existing tools, including Supercomp, its complete “compositing environment”, designed to minimise the number of precomps needed when working on complex shots. Updates to five other existing tools, including Supercomp and Optical Glow It has a semi-automated workflow, with users simply identifying linear features in the footage like road markings or the edges of buildings to guide the solve.
The main change in VFX Suite 1.5 is Lens Distortion: an entirely new lens correction tool capable of undistorting footage even if the lens used to shoot it is not known.
New Lens Distortion tool semi-automatically corrects footage It includes updated versions of popular keying tool Primatte Keyer and lens flare system Knoll Light Factory, plus new plugins for compositing, motion tracking and object removal.Īll of the tools are GPU-accelerated and support 8-bit, 16-bit and 32-bit colour depth. Launched last year to replace Red Giant’s old Effects Suite and Keying Suite, Red Giant describes VFX Suite as “a cohesive toolkit aimed at solving some of the biggest challenges faced by visual effects artists today”. The update, which costs $199 for 1.0 users, adds Lens Distortion, a new semi-automated lens correction tool, and updates existing tools Supercomp, King Pin Tracker, Optical Glow, Shadow and Reflection.Ī new suite of After Effects plugins tailored to common visual effects tasks Red Giant has released VFX Suite 1.5, a paid upgrade to its suite of After Effects plugins for common visual effects tasks like chroma keying, camera tracking, blemish removal and precomposing.
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